Adoption and Adaption
As a colonial subject, I am always mindful of my migratory status within Empire. I can locate some of the active-points of my collective subjectivity within the slides in this collection.
The colonial history of the control, manipulation of collective existence is located, and complicated in these three slides – to be read together, as enactments of industrialised memories that are never singular events:
A simple reminder on the semiotic nature of our communications principles;
A political marker of the lived materiality of the indigenous topology, after invasion.
Mimi-spirit models of women becoming cat-fish
Professor of Film and Media Arts
The Manchester School of Art
Manchester Metropolitan University